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How to Be a Coffee Snob

Ever wondered what exactly makes a supremely good cup? Say no more. Joanna Taylor, food and drink expert for titles including Conde Nast Traveller, GQ and ES Magazine, explains what makes an excellent espresso – and more importantly, how to taste it

27 September 2024

The perfect cup of coffee is much like a well-crafted novel—layered, subjective, and open to interpretation by whoever experiences it. If you’re a regular drinker, a good cup will likely be the highlight of your day, while a dismal one can, well… let’s not even go there.

As with any artisan product, becoming a true coffee connoisseur is a skill one carefully hones over time. Though, like many sciences (and trust me, this really is chemistry), if you understand the basics, you’ll be off to a flying start. 

Between pour-over, cafetière, and Moka Pot creations, there are multiple ways to brew your daily pick-me-up. Today, however, we’re focussing on how to master and taste the mighty espresso, which makes up the base of the vast majority of barista-made drinks here in the UK.

The first step in becoming a coffee snob is to understand the bean. Ivan Fumagalli, Head of Training and Service at The Roasting Party, says Arabica and Robusta coffee make up 98% of coffee consumed around the world. Robusta, he continues, is a hardier plant containing a higher concentration of pesticides to ward off predators, otherwise known as our friend caffeine. 

“The problem with the caffeine is that, yes, it protects the plants, but it gives a bitter and dry aftertaste that lowers the quality of the coffee,” says Ivan. Arabica, meanwhile, is considered better quality as it contains less caffeine and, according to Ivan, “it has more fruitiness, sweetness and many more floral notes.” As a result, Arabica is considered the go-to speciality coffee, promising a more balanced, nuanced flavour. 

In terms of origin, as a guideline, Ivan recommends looking to African coffee for fruity flavour profiles, Colombian coffee for a nuttier taste and Mexican coffee for milk chocolate notes. 

Meanwhile, according to world-famous barista and bean expert, James Hoffmann, generally, a lighter roast will result in a more acidic coffee, while a darker roast will promise a more bitter flavour. Plus, he says, the longer a coffee is roasted, the fewer of coffee’s origin characteristics you will taste. Therefore, if you’re interested in a coffee’s complexities, don’t opt for a very dark roast. 

In order to achieve a balanced flavour profile, how and when a coffee is ground is key. The fresher the grind, the better, as once ground, more of the coffee’s surface area is exposed to oxygen, resulting in a loss of flavour. The size it’s ground to is also crucial, responsible for the strength of your coffee, as well as achieving a balance between acidity, bitterness and sweetness, and extracting good body and flavour. 

According to coffee experts at Perfect Daily Grind, espresso requires a fine grind, approximately 0.3mm in size, similar to fine granulated sugar. This fine grind increases the surface area, allowing for better flavour extraction. When in the coffee machine, the small, closely packed particles create pressure, slowing the water flow through the grinds and enhancing the extraction of flavours from the coffee

Still with me? Good. Speaking of water, Ivan says filtered is a must, while the Specialty Coffee Association says in order to get the best out of beans without burning them, water should be between 92°C and 96°C. 

When it comes to crunch time, Ivan says, “The ideal recipe is 18g coffee to produce 36g espresso. This allows us to develop all the flavours present in our coffee bean and a silky and smooth body.” Extraction time is also critical, he continues, “Keep in mind how much bitterness and acidity you want in your cup. A quicker extraction time – around 25 seconds – will bring out more fruity and acidic flavours, while around 30 seconds will bring out more chocolatey notes and bitterness in your cup.” 

When it comes to assessing the finished pour, according to Luke Thorpe, head of Wholesale at The Roasting Party, there are a few key indicators that you’re receiving a good or bad cup of coffee. “When we extract coffee, we want it to be balanced. If it’s under-extracted it will have too much acidity, which you will feel at the sides of your mouth. If it is over-extracted, there will be too much bitterness that sits on the back of your mouth – a delayed reaction that will give a very dry mouth feel. We want something which is nice and sweet right at the tip of the tongue with a nice equal acidity and a little bit of bitterness at the back. And finally, it needs to be a clean cup, if it doesn’t feel physically clean on the palette it means it’s not great coffee.” 

Ready to put your newfound expertise to good use? Why not venture to one of these Sloane wonders on 1st October, International Coffee Day – or simply assess your usual Nescafe, it’s entirely up to you. 

Roasting Party, 53 Pavilion Rd

In case you hadn’t noticed, the brains behind this chic, Aussie-certified café and roastery know a thing or two about a good brew. Swing by for a brilliant selection of beans, expert tips and silken flat whites to go. 

The Cadogan, a Belmond Hotel, 75 Sloane St

Step into the elegant surroundings of The LaLee within the Cadogan Hotel for world-class coffee at any time of day. Or, for a real treat, settle in for afternoon tea (or afternoon coffee) to have your caffeine served with some phenomenal cakes and sandwiches by acclaimed chef Benoit Blin.

Cantinetta Antinori, 4 Harriet St 

You don’t need us to tell you that the Italians are serious about coffee. Here, the Antinori family’s short, sharp espressos are guaranteed to leave you wide-eyed after long, leisurely lunches and indulgent suppers – plus, they make the very best tiramisu

Colbert, 50-52 Sloane Square 

Whether holed up in the Parisian bistro or perched outside watching the world go by, Colbert is an excellent spot to settle in for a dry, frothy cappuccino, a tête à tête and perhaps a croissant or two.

Food and drink in Chelsea

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